SERVICES
Beth is able to assist in all aspects of building a collection of art, from eduction and acquisition to collections management.
Working closely and strategically Beth guides her clients through all stages and types of purchasing whether that be from galleries, brokering sales privately or via auction. Beth regularly attends art fairs, monitors auctions and has close relationships with the worlds leading galleries and dealers; she provides clients with in-depth knowledge of the art market and up to date global developments. Beth aims to make the sometimes complicated art market, accessible and transparent and the journey of building a collection - however big or small - an enjoyable one that creates collections with personal, cultural and critical meaning as well as market significance.
Known for her confidentiality and discretion Beth draws on over twenty years of experience and relationships. She has a large and trusted international network that includes dealers, artists, auction houses, gallerists, collectors, curators and advisors, as well as writers, journalists, conservators and logistics experts.
Beth provides expert collection building and management and oversees all aspects of a collection's legacy, from archiving to shipping, insurance, storage, framing, installation, reappraisal and conservation. Beth regularly manages institutional loans and is able to support collectors with private sales, deaccession and estate planning.
With a deep seated passion for the preservation of art and artist's practices, Beth regularly works with artists and artist's estates providing consultation and practical support towards archiving, conservation and legacy planning. Recent clients have included the Estate of Maud Sulter, the Alexis Hunter Estate Trust and the Estate of Austin Wright.
Recent commercial advisory work has included providing strategic advice and constructive support in restructuring a well established commercial gallery and repositioning it in response to shifts in the marketplace. Beth has also been employed as a consultant for art fairs and digital start-ups in the art market.
Working closely and strategically Beth guides her clients through all stages and types of purchasing whether that be from galleries, brokering sales privately or via auction. Beth regularly attends art fairs, monitors auctions and has close relationships with the worlds leading galleries and dealers; she provides clients with in-depth knowledge of the art market and up to date global developments. Beth aims to make the sometimes complicated art market, accessible and transparent and the journey of building a collection - however big or small - an enjoyable one that creates collections with personal, cultural and critical meaning as well as market significance.
Known for her confidentiality and discretion Beth draws on over twenty years of experience and relationships. She has a large and trusted international network that includes dealers, artists, auction houses, gallerists, collectors, curators and advisors, as well as writers, journalists, conservators and logistics experts.
Beth provides expert collection building and management and oversees all aspects of a collection's legacy, from archiving to shipping, insurance, storage, framing, installation, reappraisal and conservation. Beth regularly manages institutional loans and is able to support collectors with private sales, deaccession and estate planning.
With a deep seated passion for the preservation of art and artist's practices, Beth regularly works with artists and artist's estates providing consultation and practical support towards archiving, conservation and legacy planning. Recent clients have included the Estate of Maud Sulter, the Alexis Hunter Estate Trust and the Estate of Austin Wright.
Recent commercial advisory work has included providing strategic advice and constructive support in restructuring a well established commercial gallery and repositioning it in response to shifts in the marketplace. Beth has also been employed as a consultant for art fairs and digital start-ups in the art market.
